This is such a perfectly summery perfume advertisement that I had to post it. I don’t know anything about Princesse Isabelle, or about this fragrance, other than that it seems to be a romantic floral eau de toilette.
What I do know is that Princesse Isabelle selected a painting by Claude Monet for this ad…
It’s Monet’s Jeune fille à l’ombrelle tournée vers la gauche (Essai de figure en plein air), dated 1886, now in the collections of the Musée d’Orsay in Paris (see here for more information).
It’s such an apt choice of image. This is just how a perfume should make its wearer feel in the spring or summer: an impression of flickering light, a cool spot of shade, a crisp white dress, with no extraneous detail or narrative to distract from the sheer sensory pleasure of that moment.
Vogue just announced that a collection of fragrances inspired by the legendary Diana Vreeland will be launched in Paris this fall; for more information, see here.
In honor of this news, I’m posting this photograph of Vreeland’s dressing table in her New York apartment. It was photographed for a feature in Architectural Digest’s September/October 1975 issue. I can’t identify any of the perfume bottles in this photo; if you have sharper eyes than I do, please leave a comment with your observations!
You can read one of my earlier posts about Vreeland and perfume here. The more I learn about her, the more I realize how much she loved fragrance.
I didn’t know anything about the band Rasputina until I walked into one of their live shows, thanks to my husband, who had bought tickets, guessing (correctly) that I would enjoy it. Rasputina’s musical style is often described as “gothic cello-rock,” and it’s certainly a love-or-hate thing. For me, it was love at first note.
I just wanted to share this image, the cover of Rasputina’s 2002 album Cabin Fever. Rasputina’s frontwoman, Melora Creager, creates much of the artwork for the band’s visual materials. She seems to have collaborated with photographer and multi-media artist Ryan Obermeyer for this cover.
Do you see what I see?
My latest post on Now Smell This is a fragrance review of Guerlain’s Terracotta Le Parfum (2014). You can read it here.
Last weekend I paid a visit to the gallery space Warehouse 623 in Brooklyn to catch Alexis Karl’s multimedia exhibition “Mythological Evolution” before it closed. I’ve known Alexis for eight years or so. We first met when she was presenting her fragrance line Scent by Alexis at Henri Bendel, and I was immediately charmed by her fragrances and her overall style.
This exhibition, which ran from May 3 through May 24, brought together Alexis’ work in sculpture, painting, video, music, and fragrance. Its conceit was an alternative theory of evolution that involved lots of ruined (and re-emerging) civilizations, hybrid beings, and otherworldly transformations.