Quick Reads: Whit Stillman, Chloe Sevigny, and “The Cosmopolitans”

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It would be an understatement to say that I’m an avid follower of Whit Stillman’s work. I saw “Metropolitan” in the theater when it was released in 1990, and I’m still somewhat obsessed with it. (I even used to have a Tumblr-homage to this film.) I’m also a fan of “Barcelona” and “The Last Days of Disco.”

So, I was happy to note, while leafing through an issue of New York magazine in a doctor’s waiting-room, that Stillman will be collaborating with “Disco” star Chloe Sevigny on a new series called “The Cosmopolitans.” Well, according to the article, it’s “an Amazon Studios pilot debuting August 28 that might become a series.” I’m sure I’ll be tuning in and hoping for more.

You can read the New York interview with Stillman and Sevigny here.

I also just found this article, with a preview video clip, from Vanity Fair.

Image: Chloe Sevigny in “The Last Days of Disco,” via IMDB.

National Poetry Month 2014: A Poem by Emily Dickinson

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April is National Poetry Month. I almost forgot; but, with just a few days to spare, here’s a poem by Emily Dickinson that has long been one of my favorites.

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I tie my Hat—I crease my Shawl—
Life’s little duties do—precisely—
As the very least
Were infinite—to me—

I put new Blossoms in the Glass—
And throw the old—away—
I push a petal from my gown
That anchored there—I weigh
The time ’twill be till six o’clock
I have so much to do—
And yet—Existence—some way back—
Stopped—struck—my ticking—through—
We cannot put Ourself away
As a completed Man
Or Woman—When the Errand’s done
We came to Flesh—upon—
There may be—Miles on Miles of Nought—
Of Action—sicker far—
To simulate—is stinging work—
To cover what we are
From Science—and from Surgery—
Too Telescopic Eyes
To bear on us unshaded—
For their—sake—not for Ours—
‘Twould start them—
We—could tremble—
But since we got a Bomb—
And held it in our Bosom—
Nay—Hold it—it is calm—

Therefore—we do life’s labor—
Though life’s Reward—be done—
With scrupulous exactness—
To hold our Senses—on—

Image: Mary Cassatt, Reflection (print from a canceled plate), collections of the New York Public Library.

My Back Pages: Gloria Vanderbilt’s Home in W Magazine, 1982

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In 1982 I knew just a few things about Gloria Vanderbilt. I knew that she designed a line of jeans that had been wildly popular at my grade school a year or two earlier. I knew that her name graced the lavender-colored packaging for Vanderbilt perfume, the fragrance I was wearing most often that year. I also knew, thanks to W magazine, that she  owned a large and eclectically decorated house in some place called Southampton, New York.

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Diana Vreeland on “Perfume – Fragrance” in “MEMOS: The Vogue Years”

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My copy of “Diana Vreeland MEMOS: The Vogue Years” arrived yesterday, and I spent last evening curled up in bed perusing it. It’s really a treat.

The best thing about this book is that it reproduces Vreeland’s actual memos and letters, rather than just quoting from them. You get to see the typed pages (all dictated to an assistant at Vogue, of course!), often with additions in DV’s own handwriting.

So, I tried taking a photo of a memo dated February 24, 1969, with the subject line “PERFUME – FRAGRANCE,” but it didn’t turn out very well. Instead, I’ll just transcribe it here…

“By far and away the most important fragrance is the fragrance of a house as it is the ambiance of the owner. It seems that very few Americans, unless they have spent a long time in Europe, particularly in England, have any real sense of scenting a house. It is not considered in the general sense of people, important. There are several that are very extraordinary.

Guerlain’s Plant Marine and Floris’ Tantivy. You are immediately alerted to the presence and whole aspect of the house and owner when you come in the door, you smell this.

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My Back Pages: Scent and Sound in John Keats’s “Ode to a Nightingale”

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When I was writing my recent review of LUSH’s Tender is the Night massage bar (scented with jasmine, ylang ylang, and vanilla!) I looked up John Keats’s poem “Ode to a Nightingale” in order to refresh my memory about the phrase that gives this product its name. Well, LUSH actually names F. Scott Fitzgerald as the source, but he was borrowing from Keats!

“…tender is the night,
         And haply the Queen-Moon is on her throne,
                Cluster’d around by all her starry Fays…”

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