Back in May I visited the exhibition “Yoko Ono: One Woman Show, 1960-1971” at the Museum of Modern Art. I was preparing to write a short piece about the show as a freelance assignment (see here!) and I ended up enjoying Ono’s early conceptual art more than I expected to.
Today is Frida Kahlo’s birthday. In honor of this ever-fascinating artist (a fellow moon-child!), I’ve just written a short piece about Kahlo, her garden, and the current exhibition at the New York Botanical Garden. Click here to view.
The British Museum describes this small mummy-portrait as “cheerful” if “rather amateurish.” It also notes her jewelry—the snake bracelet, the dangling earrings, the layered necklaces—and, last but not least, the small bottle she clasps:
“In her hand she holds a small unguentarium, or bottle for scented oils, which were often placed in graves as offerings to the dead. Here, perhaps, it is simply intended to represent a bottle of her favorite perfume.”
Indeed. If you were an ancient Egyptian, wouldn’t you want to take your favorite fragrances into the afterlife with you? I would.
Source: Paul Roberts, Mummy Portraits of Roman Egypt. London, The British Museum, 2008.
I recently attended the press preview for “Yoko Ono: One Woman Show, 1960-1971” at the Museum of Modern Art. I was preparing to write a short piece about the exhibition as a freelance assignment (see here!), but this visit ended up being pleasure as well as work.