I was just cleaning up some image files in my laptop, and I came across this photo. I don’t remember exactly where or when I took it, but the “SMELL” graffiti art still makes me smile. This one goes out to all my scent-obsessed friends!
Image: photo by Tinsel Creation
Photo by Tinsel Creation.
I took these two photographs during my commute one morning last week. I could easily take several similar photos during every morning and evening commute, as well as at my office, to make this obvious point: classic Dr. Marten AirWair boots are back (again). I supposed it’s been a while since their last revival. I’m not sure what exactly prompted this latest wave, but a whole new generation of girls has suddenly embraced them this spring.
These two young women were waiting for a crosstown bus in their purple and oxblood Docs.
Continue reading “On the Street: Doc Martens, Redux”
I took this photo on Christmas Day, when Mr. TC and I were taking a quick tour of the store windows on Fifth Avenue. Bergdorf Goodman’s theme for the 2013 holiday season is “Holidays on Ice,” and this window is “Valentine’s Day.” You’re just seeing a detail of it here: the overall scene is complex and magical, and hard to capture on film. But even so, can you spot the pastries and confectionary, and the love letters on the woman’s desk, and the carnations spilling off her gown, and her pink fur stole?!
You can read more about these windows and view official photos at the Bergdorf blog.
I may be reading too much into the holiday-season windows of this Vince boutique on Madison Avenue when I say that they immediately remind me of Minimalist artist Dan Flavin’s series Monument for V. Tatlin (1969-70).
Flavin’s sculptures in this series were made entirely from prefabricated fluorescent lighting tubes.
The series was a (semi-humorous) homage to Vladimir Tatlin’s design for an impossibly high and complex tower that would serve as a monument to the Communist International organization (1919-20). Some of Flavin’s neon arrangements referred to the shapes of that never-built monument, and others were simply abstract shapes.
Were Vince’s visual merchandising experts aware of Flavin’s work and its implications about art and history? Were they trying to suggest an abstract menorah? Or did they just want to come up with a window display that was illuminated and modern (and not too expensive to execute)? Your guess is as good as mine. I’ve never even been inside a Vince shop.
Images: Vince photo by Tinsel Creation; Dan Flavin photos/works courtesy of The Museum of Contemporary Art and Phillips.